Tim Gordon has been a great supporter of Monkey Press and was involved in the earliest seminars of Claude Larre and Elisabeth Rochat de la Vallée in the UK. His years as a medical doctor and researcher made him sharp inquisitor into the meanings of the Chinese medical texts, and Father Larre would often call upon him to clarity certain concepts in the light of modern science. His voice is occasionally heard in the early Monkey Press transcripts of the seminars. Read more

Two characters are found with the meaning of source or origin, and both have the pronunciation of yuan – though with a different toning. Both characters can be found within the expression yuan qi, and most sinologists suggest that they are interchangeable in this context. Others suggest that yuan (元) should be translated as origin – yuan (原) as source.

Etymologically, yuan (元) is to be above everything else, the most important, the highest principle. It is found in ancient oracular inscriptions, where it is often used in relation to the original ancestry. It is metaphysical and obscure, reflecting the mysterious, deep origins of life, the universe and everything. Read more

The following is an extract from the Monkey Press book The Kidneys which has recently been re-edited and reprinted. This section is on the text of Suwen Chapter 5, which deals with the resonances of the five elements/phases. Here, at the beginning of the description of the resonances of the kidneys, Elisabeth Rochat de la Vallée discusses the nature of the north, water and their relationship to the origins of life.

suwen chapter 5:

‘The northern quarter gives rise to cold, cold produces water, water produces the salty, the salty produces the kidneys, the kidneys produce bones and marrow, marrow produces the liver; the kidneys master the ear.

‘In heaven it is cold, on earth it is water, among the parts of the body it is the bones, among the zang it is the kidneys, among colours it is black, among notes it is yu, among sounds it is to sigh, among movements which react to change it is to shiver, …among the expressions of will-power it is fear.

‘In the north there are always two animals – the snake and the tortoise.’ Read more

Bian hua 變 化

Bian hua is a phrase commonly found in the medical texts for all kinds of change and transformation that occur within the body.

The fu are involved with chuan hua (傳 化) – they move food through the digestive tract, chuan (傳), extracting nutrients and consolidating waste in a process of transformation hua (化). The large intestine ‘changes and transforms’ – bian hua (變 化). The spleen, working with the purer aspects of food, has the function of ‘yun hua’ (運 化) – a term which describes the transmutation, transformation and diffusion of subtle essences. Chuan moves things from one place to another, yun distributes and permeates like a shower of rain. Bian hua (變 化) is the process within the body which constantly recreates our being. Read more

The terms biao li may be translated as outer and inner, exterior and interior, and they must be differentiated from the similar terms nei (內) and wai (外). In medicine biao/li is often used to indicate a movement of qi, which is either yin (towards the interior) or yang (towards the exterior).

The etymology of the characters can be seen in the radical they both share – that for cloth or clothing (衣). The biao (表) of a garment is its external outer appearance, the li (裏) its lining, or hidden aspect. The biao faces towards the exterior and can be seen, the li faces towards the inner and cannot be seen. Biao can also mean to be manifest, and the interesting interplay of these two characters expresses the way in which inner qualities and conditions can manifest themselves at the exterior – a very important aspect of diagnosis. Read more

The following is an extract from the beginning of the book ‘A Study of Qi’, in which Elisabeth Rochat gives a short introduction to the development of the concept of qi from its early appearance as ‘wind’ in the oracle bones, to through to its key position in Han dynasty cosmology:

In order to understand the origin of qi, we must first look at the concept of wind. A character for qi itself does not appear in the early oracular and bronze inscriptions, or in the most ancient Chinese texts, such as The Book of Documents, Shujing, or The Book of Odes, Shijing. What we do find in the very ancient oracular inscriptions of the twelfth, thirteenth and even fourteenth centuries BC is the character for wind, and these early descriptions of wind have some of the qualities which will be later attributed to qi.

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東 方 dong fang

Neijing Suwen chapter five is the great chapter (da lun 大 論) which defines the movement and behaviour of qi within human beings in terms of yin yang and the five elements/phases. The text moves on from the four seasons, four directions of chapter four, and elaborates into the four quarters – with the addition of the central region (zhong fang 中 方), which governs the earth. The section of the text which details the five phase correspondences begins with the eastern quarter: Read more

Monkey Press is named after the Monkey King – popularised in the 16th century novel ‘Journey to the West’. Monkey blends skill and initiative with irreverence and a sense of freedom – ridiculing pomposity and cutting through illusion. He particularly enjoys upsetting the hierarchical structures of both religion and government, infuriating the Jade Emperor and the Queen of Heaven by stealing peaches of immortality from their garden.

So the year of the monkey is likely to be an interesting one! And what will the fire element bring? Less havoc than wood, maybe, and hopefully an increase of that monkey intuition and clarity of perception… the ability to discriminate and refine. The fire element could make this into a highly energetic and transformative year – we just have to make sure that we use that discrimination and clarity of perception before taking a leap into the unknown!

ELISABETH ROCHAT REMEMBERS

What I liked about Father Larre was not that he was a sinologist, but that he was a real human being. Someone with a very deep sense of what it means to be human. He answered questions by really listening, and answering in an unexpected way – with life. He answered with the reality of life and not with concepts. From studying Western philosophy I was completely fed up with concepts! It is very easy to play with concepts – but where does it take you? So I was really interested by that, and that was the reason why I continued to see him. He had spent more that 20 years in Asia, in China, Vietnam, Taiwan, Philippines, Japan – so he was really impregnated by that experience. He was working at that time on his PhD thesis on the Huainanzi, and also starting a translation of the Daodejing. Read more

This description of Autumn was written by Peter Firebrace and first published in Eastern Currents magazine in Canada.

Qiu 秋 the fall, the autumn, shows an ear of grain filled with fire 火. Summer’s passing, fall’s approaching, inner time coming, metal time to cut the ties that bind. Autumn is two edged, on the one hand the harvest season with its mellow abundance and on the other the shortening days, the nip of death in the keen cool air. A time of evening, of rebalancing, the scales tipping in favour of the dark, the cold, the yin, the in. Central to it is the Mid-Autumn Festival zhong qiu jie 中 秋 節, held on the full moon, the 15th day of the 8th month (September 8th in 2014), to celebrate the growth and power of yin, of the abundant harvest, of woman and the moon. Then the heat turns to cold, the dew to frost and we stand at the gate of winter, time of buried endings and invisible beginnings, of water’s regenerative renewal. Read more